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Abstract

The research revealed the strangeness of death in that Sora through its rhythm in addition to sounds and tones that came in harmony with the meaning, and wherever the context was visualizing or speaking of a sever and strong act or a rapid action we found rapid and strong sounds and tones. The same is applied to the rhythm. Its sequence of vowels in the Sora showed the contextual imitation through the voiceless sounds on the one hand, and through the mixture of vowels and consonants on the other.

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